A highly contentious, very readable and totally up-to-the-minute investigation of women's natural relationship with modern technology, an association which, Plant argues, will trigger a new sexual revolution. Zeros and Ones is an intelligent, provocative and accessible investigation of the intersection between women, feminism, machines and in particular, information technology. Arguing that the computer is rewriting the old conceptions of man and his world, it suggests that the telecoms revolution is also a sexual revolution which undermines the fundamental assumptions crucial to patriarchal culture. Historical, contemporary and future developments in telecommunications and in IT are interwoven with the past, present and future of feminism, women and sexual difference, and a wealth of connections, parallels and affinities between machines and women are uncovered as a result. Challenging the belief that man was ever in control of either his own agency, the planet, or his machines, this book argues it is seriously undermined by the new scientific paradigms emergent from theories of chaos, complexity and connectionism, all of which suggest that the old distinctions between man, woman, nature and technology need to be radically reassessed.

"The Most Radical Gesture" is the first major study of the Situationist International, a revolutionary movement with great ambition and influence whose reflections on art, everyday life, pleasure, spontaneity, the city, and the spectacle have ensured it a vital, but largely hidden, role in the development of 20th-century culture and politics. Revealing the extent to which situationist ideas and tactics have influenced subsequent political theory and cultural agitation, this book discusses a variety of specific movements and moments of contestation, including Dada, surrealism, the events of May 1968, the Italian Autonomists, the Angry Brigade, and punk. It places the situationists in a line of impassioned anti-authoritarian dissent which also informs the work of writers like Lyotard and Deleuze and underwrites contemporary debates on postmodernism. It suggests that Baudrillard's reflections on hyperreality are impoverished reworkings of the situationists' critical analysis of capitalist society as a spectacle, and challenges postmodern denials of meaning, reality, and history by showing that postmodernism itself depends on a tradition which completely undermines the purpos;This book

This book is the first major study of the Situationist International. Tracing the history, ideas and influences of this radical and inspiring movement from dada to postmodernism, it argues that situationist ideas of art, revolution, everyday life and the spectacle continue to inform a variety of the most urgent poltical events, cultural movements, and theoretical debates of our times.

Narcotics, stimulants and hallucinogens . . . these drugs have always affected far more than the perceptions, minds and moods of their users. Writing on Drugs explores the profound and pervasive nature of their influence on contemporary culture. It reads Coleridge on opium, Freud on cocaine, Michaux on mescaline and Burroughs on them all, and with such writers it begins to understand the many ways in which the modern world has found itself on drugs. Psychoactive substances have been integral to its economic history, its politics, media and technologies. They have influenced its poetry and stories, and shaped some of its most fundamental philosophies. They have even exposed the neurochemistry of a human brain which, like its cultures, has never been drug-free.